I’m always making sure that everything is all set and ready to go for every performance. Being a side musician is pretty simple. You bring your instrument and maybe a mic or music stand and you’re good. Of course you still have to play your butt off but as a professional that goes without saying. When it’s your name on the “marquis” it’s a different story. All of a sudden your concern is about the other people in your group getting there on time. Are all your charts in order? Did you think out a set-list in advance. I believe the performance is more than just the music you’re performing. The audience needs a chance to breath and process what they’ve just heard. They also have to be prepared for what they will be hearing next. I never like to fit all the music I can into a set or two. My way of communicating with an audience is with music as well as with speech. If you have merchandise to sell make sure you don’t have too few or too many. I’ve been in front of a few hundred people and sold 5 cd’s. There have also been shows in front of a small audience where I’ve sold out of the box of cd’s I had with me. There’s no telling how many you may sell at any particular gig. I usually bring thirty and hope to go home with none. Believe it or not people still ask for business cards. They haven’t developed an app that can exchange info by aiming your phone at a person yet. Perhaps the I phone 8 will be able to do that. It’s not a good look if somebody asks for a card and you don’t have any. It shows that you’re not ready to do business. Now a days as artists we always have to be ready to do business. There’s not enough side work to fall back on if we don’t have our act together when our name is in flashing lights on the old “marquis”. I will be posting soon about a few performances coming up in the near future. I hope I read this blog before I leave for the gig!!!
I am always fascinated by how things were for our past generations. Some things were easier and others more difficult. For people in the music business there were more opportunities a few generations ago. Of course long before synthesizers and dj’s, people had to rely on actual live musicians to fulfill their entertainment needs. My grandfather Jack was a prime example of the demand for high caliber musicianship years ago. Remember, before movies had sound they used to have live bands in the theaters. He played the silent film pits as well as the Yiddish Theater. This was in addition to the late night Jewish nightclubs on the lower east side and the wedding circuit. There were others who were just as busy. Another family of musicians were the Grupps. I had always heard about the violinist Louis Grupp. He held a post with the musician’s union for many years. Both he and my grandfather were members of the Progressive Musical Society. This society was founded in 1911 and you needed to be a member if you wanted to get your foot in the door of the Jewish music scene at the time. Louis Grupp also had brothers who were musicians as well. I have a song in my Klezmer repertoire that I was always told was from Louis Grupp. We don’t know for sure if he wrote it but apparently it was in his repertoire. Another reason why I know the name Grupp is because every time I’d visit the cemetery where my family is laid to rest, I’d see the name Grupp on a few of the monuments. Turns out Louis is 2 stones away from my grandfather!! I was recently contacted by Grupp’s granddaughter Marcy. She came upon a past post where I had mentioned her grandfather. For all I know the last time a Levitt spoke with a Grupp could have been 40-50 years ago!! It’s nice to have connected with Marcy and re-establish an old family friendship. I know our grandfathers are playing music together on the lower east side of heaven.
I was involved in a couple of nice events this week. My friend Corey Breier is president of the Yiddish Artists and friends Actors Club. He puts on four events a year here in NY. This past Tuesday was a dinner and a Molly Picon Tribute Concert. I worked with Dmitri Zisl Slepovitch, (bandleader), Dan Rosengard, and Matt Temkin. The vocalist was Daniella Rabbani who I hadn’t worked with previously. The concert went over nicely. Everybody in the group complimented each other and the night was a great success. I have to hand it to Corey, it’s like putting together 4 simchas a year. He greets all the guests as they arrive and wishes them well on the way out. A true mensch!!!………On Thursday I had an outdoor concert with my group at Abe Lebewohl Park in the E. Village. We were a quartet this time as trumpeter Jordan Hirsch joined us for the festivities. These kind of concerts have been a staple of our NY culture for a long time. I hope they continue to be forever. The energy of a walk-up crowd in NY is like no other. The E. Village may be a little cleaner these days but there are still a lot of enjoyable characters walking around. I put together a program of Bulgars, Theater songs, a Doina-etc. The crowd response was very encouraging. I offered my version of a kickstarter campaign: 3 CD’s for $20. Yes, they are three different cd’s!!!! The proceeds help produce the next project which is just about halfway done. I was happy to meet a few of the audience members before and after the show. Believe it or not a few of them came up during the show to purchase the cd’s!!! Who am I to turn down a dollar?!! It was great to see some friends in the audience. A big thank you to Paul Brandenburg, Bobby Shubowitz, and Bernhard Ullrich for dodging the few raindrops and coming to the show. A gentleman who lives right across from the park said we were “the best” group to ever play there!!! What a compliment as the caliber of talent on the schedule is quite deep. These kind of comments and audience reaction is what inspires us to keep working. I shall do so…..Next blog is coming soon. It will be about the re-connection with the Grupp family. The grandfathers worked together dating back to the 1920’s. Now the grandchildren are in touch filling in the blanks. Sometimes you don’t realize how close (literally) your family is to another
No matter what genre of music one plays usually there have been others playing that music already. Listening to these folks that came before you will help shape your own interpretation which leads you to find your own voice. This may not be all there is to inspire you. Sometimes there are stories you hear about certain artists or others who perform your “type” of music that help embellish your artistry. The late great jazz bassist Leonard Gaskin told me a JJ Johnson story from way back. JJ had an apartment in Washington Heights. He would practice trombone for hours at a time. The neighbors didn’t mind his practicing. They took exception to him practicing the same scales and scale patterns for days and weeks at a time. This led to Mr. Johnson’s eviction. They just couldn’t deal. Another friend of mine was rehearsing a latin band in an apt also in the Heights. A neighbor commented, “I like your music but tell the trumpet player not to go for the high notes, they’re out of tune”. I grew up hearing stories about the Catskills and the old days of Brownsville. One of my favorites was about the custard salesman with a runny nose. He didn’t have a tissue on hand but people still raved about his custard!! Who knows….. I was a witness when an old time accordionist named Charlie Bookman worked with my dad in Florida. He was about 75 years old in the early 80’s so do the math. He showed up to a gig with torn pants.” Don’t worry” he said, ” I have another pair in the car”. He goes to change and walks back in with a pair of pants with not one but two rips!!! Should’ve stuck with the first pair Charlie!!
I wanted to say a few words about a gentleman who just recently passed on. Art Raymond had a radio show on WEVD in NYC for many years. He was know as the “Simcha Man”. I remember him doing great live commercials for the House of Jacks. House of Jacks was a men’s clothing store with two locations. One of the stores was near where I lived in Brooklyn so that was cool to hear when it was mentioned on the air. Art always played my parent’s recordings on his show. My dad was very friendly with him over a long period of time. One day when I was about 6 years old, my dad was going to take me “uptown” to his lunch appointment with Mr. Raymond. I got into the back seat of dad’s favorite possession, his 1968 powder gray Buick Electra 225 with beautiful black interior. Nobody else was allowed to drive this car. Since this was before booster seats, I’m sure I was sliding all over the back seat on this ride into Manhattan. I remember driving down Flatbush Avenue through Prospect Park. Over the Manhattan Bridge we went and 770 Broadway was not too far away at this point. We met Art at the station and went to a local restaurant. As the two grown-ups talked music and business, I slurped on a Coke and chomped on a burger. They’d each check in every few minutes to see if I was okay. I remember Mr. Raymond being very nice to me. He was always asking how mom and the girls were. A true mensch he was. A few years later he would sometimes be the emcee and special guest at concerts with my parents. He knew his audience well and was always a hit. I actually have video of one of his monologues. Perhaps I’ll put it up on Youtube at some point. For me, Art’s voice will live forever on a recording he narrated with my folks called “Jewish Wedding”. I have a few boxes of this record at home but it’s on my list for remixing, mastering, and re-releasing. All in due time. Mr. Raymond will be missed. May he rest in peace and his memory be a blessing for all.
We had the good fortune to open up the spring season of the NY Klezmer Series last night at Stephen Wise Synagogue. My trio shared the evening with vocalist and songwriter Miryem Khaye Seigel. We played one long set and switched between instrumental and vocal selections to keep it interesting. Our repertoire for the evening included compositions by Beresh Katz, Louis Grupp, Eli Basse, Hymie Jacobson and others. We also performed several of Miryem Khaye’s originals. On another note I had an old record of my dad’s cleaned up and mastered and it should be out digitally sometime this spring. My grandfather is the trombonist on the album which was recorded in 1962. The repertoire on this album is not typical of what today’s Klezmer aficionado would be accustomed to. It’s safe to say that 99.9 percent of the people who enjoy this type of music have probably never heard most of this material before. I’ve been incorporating some of this repertoire into the set when we do a gig. I guess you could call this new old music. It’s new if you’ve never heard it before. Until the next one….
This past Saturday evening was a great experience. My good friend and colleague Dr. Hankus Netsky was an artist in residence at Temple Beth Shalom in Livingston, NJ. I was asked to be part of the concert with him and a few other performers. We had Mike Cohen on clarinet, Jim Guttman on bass, Amanda Miryem-Khaye Siegel on vocals, and we were joined by the cantor for a few tunes. The crowd was receptive and broke out in dance a few times during the show. We were able to shmooze with the people afterwards at a dessert reception in the temple………Now I am preparing for the opening night of the NY Klezmer Series at Stephen Wise Synagogue on January 28. My trio will be joining forces with Miryem-Khaye who will be singing selections in Yiddish as well as English. I’ve been digging deeper into the family repertoire and found a really cool “bulgar” written by Louis Grupp. Mr.Grupp was an old time Klezmer who was friendly with my grandfather back in Brownsville, Brooklyn. I see his tombstone every time I go visit my family’s graves’. Many of the old time Klezmers are laid to rest in Woodbridge, NJ. Anyhow, Grupp’s tune is very cool. He kind of wrote over the barline with somewhat uneven phrases that seem to work. Lennon and McCartney’s Yesterday is a seven bar phrase but feels so natural. That’s the most popular song I can relate this to but of course they sound nothing like each other!!!! We will have a few other surprises as well. Miryem-Khaye is a fine composer as well as a talented vocalist. We will be backing her up on some of her tunes as well as some covers….. I have a date to re-master an old Tikva album my dad recorded in 1962. My grand father is playing trombone on this recording and did the arrangements. My good buddy and great bass player Phil Palombi is going to help me clean it up and get it sounding great. I hope to get it out digitally (at least) this spring. In unrelated news I’d like to wish my wonderful sister Rhonda a very happy birthday today!!!!